The Last Love of George Sand

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The Last Love of George Sand
a literary biography

Evelyne Bloch-Dano
translated by Allison M. Charette
Arcade Publishing
Pub date: February 6, 2013

1849: George Sand is a female novelist, romantic muse, and political activist. She has become a celebrity in France. Her son, Maurice, invites a friend to spend the Christmas holidays with them: the engraver Alexandre Manceau. She is forty-five, he is thirty-two. They become inseparable.

Many of Sand’s affairs are well documented, including her nine-year liaison with Frederic Chopin. But who has ever heard of devoted Manceau, her last companion?

These pages tell of long days and endless nights of work, joy, and even grief. They span from Paris to the countryside, from falling out with her daughter to her son’s marriage, from her friendship with the century’s greatest artists to the era’s political struggles. This vibrant biography tells a new story of fifteen years in the passionate and romantic life of George Sand.


Kirkus has given The Last Love of George Sand a starred advanced review!

"Delightful reconstruction of the deeply fulfilling, late-life romance of the French novelist with a devoted, younger engraver.

"Obviously a labor of love, this work by the accomplished French biographer Bloch-Dano (Vegetables: A Biography, 2012, etc.) is highly entertaining and original. The author sees her job as reassembling the life of her subject from scattered pieces and “the ravages of time” and then, if all else fails, using her imagination to fill in the details much like a novelist. The result is a series of pointed assertions like light bulbs going off in her head, questions and switching to the present tense, all while sticking to the courageous, romantic spirit of her subject. George Sand was in her mid-40s when her son brought his engraver friend Alexandre Manceau to spend the holidays of 1849 at her beloved ancestral home, Nohant. A famous novelist and playwright, she was now bone-weary after the failures of the socialist revolution of 1848, into which she had thrown herself, and strapped by debts and squabbles with her headstrong daughter. Nohant had always served as her refuge, in between bruising stints in Paris and maternal love affairs with a series of “men-children.” Bloch-Dano ably portrays Sand's attraction to the 32-year-old engraver, a man of modest beginnings and much talent, highly intuitive, intelligent and devoted to Sand. Manceau not only took over the theatrical productions at Nohant, but also assumed the role of her secretary and copyist, living with her for 14 years while plying his commissions as a sought-after engraver. Bloch-Dano’s portrait is poignant and beautifully researched.

"A love story probably suppressed by Sand’s resentful son, brought here to vivid life in the hands of her capable biographer."